Some objects are also commissioned reproductions, which was
common practice among collectors and gentleman scholars, such as
the 8th Lord Howard de Walden, to augment their
collections.
The De Walden arms and armour were gifted to East Ayrshire
Council in 1974 by his son, the 9th Lord Howard de
Walden, along with the Dean Castle and its estate, tapestries, and
a collection of early musical instruments: a Recognised Collection
of National Significance, some of which you can see
here. While the Dean Castle undergoes its restoration work that
is due to be completed in 2021, you can see some of these objects
and many more at the Dick Institute in Kilmarnock. Other objects
from the arms and armour collections at Dean Castle are from the
Walker and Braidwood Collections.
This online exhibition was curated by Abigayle Brown and Megan
Stamper as part of the Dean Castle Restoration Project supported by
the National Lottery Heritage Fund and East Ayrshire
Leisure.
Although the original pupose for many of these pieces of
weaponry and body armour are tools of defence, several of these
objects are also excellent examples of form and design. For a
romantic medievalist like Thomas Evelyn Scott-Ellis, the
8th Lord Howard de Walden, his collection was not only
for display, but also - at times - for costume. Joubert
designed a suit of armour made to measure for 'Tommy' who alongside
collecting weaponry and armour, liked to stage jousting tournaments
and historical pageants. According to Tommy's grandson, portrait
artist Augustus John was once bemused to find him sat for breakfast
and reading a newspaper in a full suit of armour.
As well as modern replicas, the collection also includes fine
examples of both combat and ceremonial weaponry and armour, and
also implements for hunting. There are several swords and daggers,
gauntlets and a pair of sabatons, full and half suits of armour and
pieces of barding such as a chamfron to protect a horse's
face.
