Burns was twenty-five years old in 1784 when he came to live in
the town of Mauchline, the well read and well educated eldest son
of his late father, William Burns. William Burns was from
Kincardinshire and his mother Agnes Broun was from Maybole,
Ayrshire. After leaving Alloway where he was born, his father had
rented farms at Mount Oliphant and Lochlie, where Robert for years
had done a man's work while still a boy and became a skilled
ploughman. Although the family were poor, Robert's father, together
with his neighbours, found enough money to pay a tutor, John
Murdoch, to educate his sons. By 1784 Burns had also studied
surveying, founded the Bachelor's club in Tarbolton with his
brother Gilbert, joined a Masonic lodge, tried to follow a new
career as a flax dresser in Irvine, fallen in love, taken dancing
classes and written a string of poems and songs, mostly in praise
of 'the lassies'. He was a skilled letter writer and his services
were much in demand as a 'blackfoot' - writing letters on behalf of
local suitors. In Burns' day Lowland Scotland had one of the
highest levels of literacy in Europe. After his marriage
to Jean Armour in 1788 (the couple had nine children), he
eventually moved to Dumfries in 1791 but by this time was in poor
health. Over the years many people of importance helped him gain
influence and he soon became an established figure within Scottish
society and regularly visited Edinburgh.
Burns and the Kirk:
In the 1780's the Presbyterian Kirk was a central part of rural
life in South-West Scotland. The 'Kirk Session' expected the parish
congregation to adhere to a strict religious moral code, attend
Church and observe the Sabbath.
Burns was brought up in a religious household and knew his Bible
well, but religious hypocrisy - and the struggle at the time
between the 'New Licht' faction of the Kirk, who reflected the new
liberal attitudes of the 'Enlightenment', and the die-hard
Calvinist, hell and damnation, 'Auld Licht' church elders, provided
the poet with inspiration for some of his most entertaining
satirical works. Burns was a free spirit. His poems, which poked
fun at the stern church elders, struck a chord with like-minded
folk in the district and copies were in great demand. Among those
who asked for a copy of 'Holy Willie's Prayer' was a young 'New
Licht' minister at Tarbolton called the Rev. John McMath. Burns
sent him a copy of the poem, but also enclosed with it a verse
epistle containing this reference to the 'Auld Licht' brigade:
"But I gae mad at their grimaces, Their sighin, cantin,
grace proud faces, Their three-mile prayers, an hauf-mile graces
Whase greed, revenge, and pride disgraces Waur nov their
nonsense,…
The epistle goes on:
"I own 'twas rash, and rather hardy, That I, a simple, countra
Bardie, Should meddle wi a pack sae sturdy Wha, if they ken me, Can
easy wi a single wordie Louse Hell apon me."
The sexual exploits of the poet and his young friends in
Mauchline brought them before the Kirk Session, 'the houghmagandie
pack' as Burns referred to them, to repent their sins. The rev.
William Auld, 'Daddy Auld' was ordained at Mauchline in 1742 and
was Parish minister during Burns' time there. Although an 'Auld
Licht' he was described as 'kindly and courteous'. It was he who
called Robert and Jean Armour to appear before the congregation but
he allowed Burns to stand in his own pew while being rebuked from
the pulpit, instead of in the 'creepy chair' - the place of
repentance at the front of the church.
Brother Burns
Burns was a mason from the age of twenty-two. He was initiated on
4th July 1781 into St. David's Lodge, No.147, Tarbolton. He was
elected Depute Master of St. James's Lodge (which had amalgamated
with St. David's before later breaking away) on 17th July 1784, a
position he held for 4 years. The club atmosphere of lodge meetings
appealed to the sociable nature of the young poet, while the
spiritual aspect of freemasonry was largely in tune with the moral
teachings of his father. Freemasonry crossed social classes - this
helped Burns to meet with some of the most influential men in
Scotland. It is no coincidence that those who encouraged Burns to
print his poems, the printers themselves, and many more of those
who subscribed copies were all freemasons. In his poetry Burns
refers many times to the sense of brotherhood which he found in
Masonic circles. The verse below sums this up and was dedicated to
Major William Parker, Master of lodge St. John Kilwinning in
Kilmarnock, by whom Burns was received as a guest of the lodge in
1786.
"Within your dear Mansion may wayward contention, Or
withered Envy ne'er enter; May secrecy round be the Mystical bound,
And brotherly love be the centre"
Robert Burns and Irvine
Although Scotland's national poet was born at Alloway near Ayr, he
spent several months of his life in Irvine. In 1781, at the age of
22, Robert Burns arrived in the town to learn the trade of
flax-dressing or heckling. He lodged with a relative of his mother,
William Peacock, who ran a successful flax workshop in the Glasgow
Vennel. His stay was short-lived and in March 1782, ill and
disheartened by his experiences in the trade, he returned to the
family's farm near Mauchline.
Whilst living in Irvine, Burns was able to indulge his passion for
books in William Templeton's bookshop near the Tron. He also
composed a number of poems and ballads during his stay, although
none of the significance that he was to pen in the next few years.
The heckling workshop is now the Vennel Gallery for contemporary
art, whilst his nearby lodgings are used by school groups and are
open to visitors, by appointment.
Robert Burns and Kilmarnock
To commemorate the publication, in Kilmarnock, of the first
edition of Burns' poems, a statue of the poet and his
printer, John Wilson stands in the town centre close to
the original site of Wilson's print-shop. A copy of this book is
preserved within the collections of East-Ayrshire and can be viewed
at the Burns House Museum in Mauchline, along with some of his
original manuscripts.
ROBERT BURNS AND DUMFRIES
First Contact
Robert Burns' first contact with Dumfries and Galloway
came in 1787 during a short tour of the Borders with his friend Bob
Ainslie, a law student. Following the success of the Kilmarnock
edition of his poems he found himself acclaimed as 'Caledonia's
Bard' by Edinburgh Society. The 3000 copies of the new
Edinburgh edition were selling well and his fame had been further
increased by an article about him in the 'Lounger', a weekly
magazine.
He arrived in Dumfries from Carlisle on 4th June. Dumfries
Town Council immediately made him an honorary burgess, little
knowing that one day he would come here to live.
The main reason for his visit was to look at a farm offered to
him by Patrick Miller, a director of the Bank of Scotland and
chairman of the Carron Company in Falkirk. Miller, an admirer
of Burns, had recently purchased the estate of Dalswinton, 6 miles
north of Dumfries. He offered him the tenancy of one of the
farms, Ellisland, on the banks of the Nith, at an advantageous
rent:- seventy pounds a year restricted to £50 for the first three
years.
Burns had always been doubtful of earning his living by
his pen and was looking for another means but when he saw the farm
he was not impressed and was worried that the 'bargain' might ruin
him. In March 1788, despite his misgivings, he signed the
lease. Shortly before, however, he had written to Robert
Graham of Fintry, a Commissioner of the Scottish Board of Excise,
that he "wished to get into the Excise". Graham, another
admirer, used his influence and arranged for Burns to receive a
position in the Dumfries area as soon as one became available.
Ellisland ...
Burns arrived at Ellisland on 11th June 1788. He was then
29 years of age.
The farm was so neglected that it did not even have a farmhouse
and he had to live in a hut at nearby Isle Tower until one was
built.
The farm had been worked on the old 'run-rig' system which meant
that the land was divided into narrow strips which were used for
permanent crops. These were raised in the middle and drainage
was mostly by surface run-off between the rigs. This gave the
landscape a corrugated appearance. There were no hedges so
animals often strayed into the crops causing much damage.
Grazing land was shared between farms and the fields generally
carried more stock than they could support. Winter feed was
always in short supply as there was little hay and no root crops
such as turnip.
Burns could take comfort, however, in the knowledge that even if
the farm was to fail he would soon have a job in the Excise to fall
back upon. His wife, Jean Armour, and their infant son Robert
moved down from Mauchline in December to join him. After many
problems with the builders they moved into the new house in May
1789. Their second son Francis was born in August, and a
month later Burns began his excise duties.
Excise was a tax similar to V.A.T. but collected at the
point of manufacture or import rather than at the point of
sale. A wide range of goods was liable for it, mostly notably
silk, tobacco and spirits. Burns as a guager had to calculate
and collect the tax due. Thus in addition to improving a run
down farm he had to travel over 200 miles per week on horseback
collecting excise duties and complete the necessary bookwork during
his evenings. For this he received £50 per year plus £50 for
every smuggler arrested and half of any goods seized.
Although he had two full-time jobs and his health was not good
he found time to write many songs. The long hours on
horseback allowed him to work over verses. He began to
collaborate with James Johnson, an engraver who was producing an
anthology of Scottish songs called the 'Scots Musical
Museum'. The second volume, virtually edited by Burns was
published in 1788 and contained 40 of his own songs. The
third volume which appeared in the following year had 50
more. He was also a prolific letter writer. Burns must
have been a man of considerable energies.
Fortunately in July 1790 he was transferred to the Dumfries
Third (or Tobacco) Division which reduced his weekly mileage.
He was good at his job and popular with his superiors. His
standard of living on the farm was above average and he could
employ farmworkers to help him with the improvements.
... a Ruinous Affair
Burns' neighbour at Ellisland was Robert Riddell of Friars
Carse. Riddell allowed him to use the Hermitage, a small
summer house on the estate, in which to meditate and compose
poetry.
Through Riddell, Burns met Captain Francis Grose who
was compiling a book on the antiquities of Scotland. Burns
asked him to include an illustration of Alloway Kirk. Grose
agreed provided the poet would contribute a 'witch story' to
accompany the drawing. The result was 'Tam O'Shanter', the
tale of a farmer who when returning home late after a night's
drinking, met with some witches. The poem was written in a
single day on the banks of the Nith and is arguably his best
work.
Whilst at Ellisland he was invited by Patrick Miller, his
landlord, to go out in his small experimental steamboat on
Dalswinton Loch. The boat, which was fitted with an
atmospheric engine designed by William Symington, had two hulls and
was the first paddle propelled steamboat in the world.
It was during his time at Ellisland that he had an affair with
Anna Park, niece of Meg Hyslop, the landlady of the Globe Inn,
Dumfries. The result was a daughter, Elizabeth, born in
1790. Jean, with considerable understanding adopted the baby
as her own. Nine days later she herself gave birth to their
third son, William Nichol Burns.
Although Burns was relatively happy at Ellisland, producing some
of his best songs such as 'Auld Lang Syne',' Willie Brewed a Peck
o' Maut' and 'John Anderson My Jo', the farm itself was a
disaster. The soil was exhausted and would not support either
crops or dairy cattle. By 1790 Burns had decided that the
farm was an altogether "ruinous affair" and the following year
after auctioning the stock and crops he moved with his family to
Dumfries.
Bank Street, Dumfries
Dumfries in Burns' day was a lively town of some 5600
inhabitants, living in houses of sandstone or red brick. It
was described at the time as "beautiful and advantageous ...
neat ... well built ... well lighted and neatly paved."
He moved into a small flat in Bank Street, then called the Wee
or Stinking Vennel. Below him was the office of his Excise
superior and friend, John Syme.
Burns was soon playing a full part in town life. His
burgess ticket presented four years previously allowed him to claim
reduced fees for his childrens' education. In February 1792
he was promoted to the Dumfries Port Division with an increase in
salary to £70 a year. This allowed him more leisure time and
the days in Bank Street were a period of prolific song writing for
him. In August Volume IV of the 'Scots Musical Museum' was
published, containing another 50 of his songs. His favourite
walks in town were beside the Nith, upriver to Lincluden and along
the Dock to Castledykes.
Mrs Burns described his domestic habits:- "Burns was not an
early riser excepting when he had anything particular to do in the
way of his profession. Even tho' he had dined out, he never
lay after nine o'clock. The family breakfasted at nine. If he
lay long in bed awake he was always reading. At all meals he
had a book beside him on the table. He did his work in the
forenoon and was seldom engaged professionally in the
evening. He was fond of plain things and hated tarts, pies
and puddings. When at home in the evening he employed his
time in writing and reading with the children playing around
him. Their prattle never distracted him in the least."
He made many friends in the town, Dr Maxwell was one, he had
been in the Republican army in the French Revolution and was one of
the guards at the execution of Louis XVI. Burns made many
visits to Ryedale, the home of John Syme who had the sinecure of
Collector of Stamps for Dumfries and their close friendship brought
him much pleasure. Another friend was Burns' supervisor
Alexander Findlater, a minister's son who later became the
Collector for Glasgow, a top position in the Excise. Despite
their friendship Findlater checked Burns' work strictly.
Among his women friends was the beautiful Maria Riddell,
wife of Robert Riddell's younger brother Walter. She lived at
the estate of Goldielea, near Dumfries, which her husband renamed
Woodley Park after her maiden name. Burns wrote her many
letters and often visited her. Goldielea still stands today, in an
imposing setting.
In Dumfries his favourite inn or "howff" was the Globe in the
High Street. The innkeepers were Mr and Mrs Hyslop.
Burns - the Revolutionary?
In February 1792 Burns was one of a party of Excise officers and
Dragoons who seized the brig 'Rosamund' which was attempting to
smuggle goods at Sarkfoot near Gretna. As the party
approached, the smugglers opened fire with grape shot.
Fortunately the ship was so high in the water that her big guns
could not be used. Reinforcements were called and a boarding party,
including Burns, waded chest deep in the strong tide towards the
vessel. At the last moment the crew ceased their fire and
escaped across the sands to England.
The vessel and its contents were confiscated and sold by public
auction on the 19th April at the Coffee House, Dumfries. As a
democrat Burns was an open supporter of the Revolution then taking
place in France and the tradition is that he purchased four
carronades, a kind of small cannon, and sent them as a gift to the
Revolutionaries. This was a dangerous act as Britain and
France were on the brink of war.
His behaviour caused further concern when on the 30th October
1792 he apparently joined in a chorus of 'Ca Ira' the song of the
French Revolutionaries, after a gala performance of 'As You Like
It' at the newly opened Theatre Royal. This was another
dangerous act for a government officer.
Someone denounced him to the Excise Board as disloyal and he had
to defend himself to Graham of Fintry. He denied that he had
joined in and said that although he had been in the Pit when the
song started he himself had never "opened his lips." He added that
he was attached to the British Constitution "next after my God." He
was allowed to keep his job but was told to be "silent and
obedient."
Nevertheless, 1792 was a good year for him. The Royal
Company of Archers made him an honorary member in April and in
November Jean gave birth to a daughter, Elizabeth. His song
writing was prolific and included 'The Deils Awa Wi' the
Exciseman', 'Duncan Gray' and 'The Lea Rig'.
Mill Street, Dumfries
In May 1793 the family moved to a better quality house in Mill
Street (now Burns Street). Their standard of living was good and
they employed a maid servant. The house had two bedrooms, a
parlour, a kitchen and even a small study. It was well
furnished and carpeted. Wellwishers would often send Burns
game or country produce and occasionally, barrels of oysters.
He was always anxious that Mrs Burns should be well dressed. She
was one of the first women in Dumfries to have a dress of gingham,
at that time an expensive material.
Burns had a great curiosity about Scotland and this prompted
him, in July 1793, to embark on a tour of Galloway with his friend
John Syme. They set out on two highland ponies, passing
through Castle Douglas, Crossmichael with its attractive church,
Parton and on to Kenmure Castle at the head of Loch Ken, where they
spent three happy days. This was the home of the Gordons of
Lochinvar whose ancestors had helped Mary Queen of
Scots. The travellers then went on to Gatehouse where they
stayed at the Murray Arms and returned via Kirkcudbright.
He was now writing songs for a new book 'A Select Collection of
Original Scottish Airs' produced by George Thomson, a clerk to the
Board of Trustees for the Encouragement of Art and Manufacture in
Scotland. This task was to occupy him for the remaining years
of his life.
In September Burns wrote to Thomson describing his method of
song composition:- "My way is this: I consider the poetic
Sentiment, correspondent to my idea of the Musical
expression; then chuse my theme; begin one
Stanza; when that it composed, which is generally the most
difficult part of the business, I walk out, sit down now &
then, look out for objects in Nature around me that are in unison
or harmony with the cogitations of my fancy & workings of my
bosom; humming every now & then the air with the verses I
have framed: when I feel my Muse beginning to jade, I retire
to the solitary fireside of my study, & there commit my
effusions to paper: swinging, at intervals on the hindlegs of
my elbow chair by way of calling forth my own critical strictures,
as my pen goes. - Seriously, this at home, is almost
invariably my way."
Song writing gave him great enjoyment and in all Burns, provided
over one hundred songs for Thomson. Songs written in Mill
Street include 'My Luve Is Like A Red Red Rose',' A Man's A Man for
A' That' and 'Scots Wha Hae'.
A Scandal and a Debt
His days at this time were spent stamping leather, guaging malt
vats, noting the manufacture of candles and granting licenses for
the transport of spirits. Usually dressed in a "decent suit
of dark clothes" he had a distinguished head with large dark brown
eyes and a high forehead. His features were a little coarse
and he had a slight stoop but at nearly 1.8m (5' 10") in height he
must have cut a good figure in town.
At Christmas 1793 he dined at Friars Carse with the
Riddells. After dinner the men discussed the legendary Rape
of the Sabine Women by the Romans. They decided to act out
the scene to the women. The inebriated Burns acted out his
part with Maria Riddell as his 'victim'. He so offended her
with his behaviour that he was asked to leave. The next day
Burns tried to apologise but this was not accepted. The loss
of this friendship was a great blow to him.
Britain and France were now at war. The chief consequence
of this for Burns was that there was less trade and his excise
income was reduced. In May 1794 Patrick Miller's son offered him a
job as a journalist in London but Burns refused as he saw his
future firmly in the Excise and he still had strong doubts about
earning a living from his pen. Just before Christmas of that
year his superior, Findlater took ill and Burns was appointed
acting Supervisor for Dumfries. This put Burns on the
'collector's list' and made him eligible for promotion. He
wrote that he looked forward to the life of "literary leisure" that
the sinecure of Collector could one day give him.
In the new year, however, he fell behind with his rent and wrote
to his landlord Captain John Hamilton:-"It is needless to
attempt an apology for my remissness to you in money matters:
my conduct is beyond all excuse. - Literally, Sir, I had it
not. - The distressful state of Commerce at this town, had
this year taken from my otherwise scanty income no less than
£20. - That part of my Salary depended upon the Imports,
& they are no more, for one year. - I enclose you three
guineas: and shall soon settle all with you."
The Captain, a friend, made light of the debt, asking Burns why
he was avoiding him and inviting him to his house.
The Dumfries Volunteers
As if to prove his loyalty he joined the Dumfries Volunteers,
founded in 1795 to counter the threat from France. Its
commanding officer was Arentz Schulyer de Peyster, a Dutchman who
had fought in the American War of Independence. He had
married the daughter of a former Provost of Dumfries and had
retired to the town.
Some time before, Burns had lost the friendship of Mrs Dunlop,
an Edinburgh correspondent, because of his political leanings and
he now sent her this song, the 'Dumfries
Volunteers':
"Does haughty Gaul invasion threat?
Then let the louns beware, Sir!
There's WOODEN WALLS upon our seas,
And VOLUNTEERS on shore, Sir:
The Nith shall run to Corsincon,
The Criffel sink in Solway
Ere we permit a foreign foe
On British ground to rally!
We'll ne'er permit a foreign foe
On British ground to rally! "
This song became popular throughout Britain.
The Final Years
His quarrel with Maria Riddell began to resolve itself.
His health, however had begun to deteriorate seriously during the
year. As a youth he had been the chief labourer in his
father's farm at Mount Oliphant, Ayrshire. The effort of
ploughing the farm's rough ground had placed a great strain on his
heart and the result of this was now causing him increasing
suffering. He wrote to Maria Riddell that he was "so ill as to be
scarce able to hold this miserable pen to this miserable paper." He
believed he had rheumatic fever.
Nevertheless he continued to take a keen interest in the town's
affairs and wrote to the provost, David Staig about an anomaly in a
tax on beer which was losing the Town Council money:
"I have been for some time turning my attention to a branch of
your good towns revenue, where, I think, there is much to
amend: I mean the 'Twa Pennies' on Ale. The Brewers
... within the jurisdiction pay accurately; but three
Common Brewers in the Brigend, whose consumpt is almost entirely in
Dumfries, pay nothing; Annan Brewer, who daily sends in great
quantities of ale, pays nothing: and of all the English Ale,
Porter, &c, scarcely any of it pays ... Your brewers
here, the Richardsons, one of whom, Gabriel, I survey, pay annually
in 'twapennies', about thirty pounds, and they complain, of the
unfair balance against them, in their competition with the
Bridgend, Annan and English Traders."
The Provost was so impressed that the Town Council agreed to
levy a more equal tax.
In May 1795 Alexander Reid painted a portrait of him.
Burns described it:
"there is an artist, of very considerable merit, just now in
this town, who has hit the most remarkable likeness of what I am at
this moment that I think ever was taken of anybody. It is a
small miniature ..."
Brow Well
The war with France was causing food shortages in Britain.
The harvest of 1795 had failed and in March 1796 there were serious
food riots in Dumfries.
Gradually during the year Burns' health became poorer and in
April he was unable to continue with his Excise duties. His
wife Jean was pregnant again and Jessy Lewars, the sister of an
Excise colleague, came to help in the house.
His friend Dr Maxwell mistakenly diagnosed his illness as
"flying gout" and prescribed sea bathing as a cure. On 3rd
July, barely able to stand, Burns went to Brow Well, a hamlet on
the shores of the Solway, nine miles to the south east of Dumfries,
which had a reputation as a spa.
Each day he waded out shoulder deep into the cold sea
water. This can only have made his physical condition
worse. As his salary had been reduced because he could not
work, he became obsessed with the fear of poverty and when a
solicitor sent him a letter for non payment of a tailor's account
for his Volunteers uniform, a terror of dying in a debtor's prison
gripped him. In his depressed state he wrote to George
Thomson for money:
"A cruel scoundrel of a Haberdasher, to whom I owe an account,
taking it into his head that I am dying has commenced a process and
will infallibly put me into jail ... Do for God's sake send
me [£5]."
He realised death was close and wrote to his wife's father
asking him to send Mrs Armour to Dumfries.
During the following week the Solway tides were not suitable for
bathing so on 18th July he returned to Dumfries. As he got
out of the cart at the foot of Mill Street "he seemed unable to
stand upright ... those who saw him then expected never to
see him in life again."
To keep the house quiet his children were sent to stay with a
colleague. Syme and a number of friends came to see
him. On the morning of Thursday 21st July he became
delirious. His children were brought to see him for a last
time and shortly afterwards he lapsed into unconsciousness and
died. He was just 37 years old.
The Funeral of Robert Burns:
Robert Burns died at his home in Dumfries on 21st July 1796 and
was buried in St. Michael's churchyard three days later. One
observer estimated that the crowd in the streets and in the
churchyard numbered "above twelve-thousand. Men from the Cinque
Ports Cavalry and the Angus-shire Fencibles lined the streets and
the band of the Cinque Ports Cavalry played Handel's Dead March.
The Dumfries Volunteers carried the coffin and also provided a
firing party at the graveside. In 1815 the poet's remains were
interred in a purpose-built mausoleum in the same kirkyard.